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No Yes. Do you want to save changes? Don't look now but this movie is legitimately funny, and among the better comedies released in quite some time. After all three reach their breaking point, they decide that their lives would be better if their bosses ceased to exist. What follows is their hilarious efforts in finding a way to get it done without getting caught. The premise was promising and thanks to a fresh script by Michael Markovitz, John Daly, and Jonathan Goldstein, the potential was indeed delivered—although not in the ways you'd expect.
The cast is hands-down the standout reason why this movie works. As a matter of fact its also its one minor flaw because we have tons of talent that were not utilized enough because some of the performances were so hilarious in the minimal material given. The bosses themselves were convincingly awful, especially the always-reliable Kevin Spacey as this sadistic, manipulative, and extremely cruel president of a company.
Colin Ferrell and Jennifer Aniston step out of their usual roles and surprisingly deliver plenty of laughs with their own cruelly aggressive mannerisms. The main three also provided plenty of laughs and played off each other perfectly well, with Charlie Day being the best of the three. Day's experience with the mildly-dark "It's Always Sunny in Philadelphia" definitely shows off here, as his whiny and high-pitched voice perfectly matches his character persona and offers the most laughs and one-liners.
Seth Gordon's resume as director has been an interesting one; ranging from the enjoyable Fistful of Quarters to the weak-weak Four Christmases. In here, he keeps the pace constantly quick, constantly throws a crazy scenario to pit our heroes in, and never gives you a chance to breathe and realize how preposterous this movie really is. The movie's raunchiness is matched by its grim sense of humor—you need a dark strong heart to laugh at some of the mean-spirited shtick that is embedded in the minute timeframe.
In this movie, nobody is safe, and you never know just what might happen next. Unpredictability is essential in comedy, and the best part of Horrible Bosses is how it can remain one step ahead of you while still giving plenty to laugh about. We are laughing at our heroes but secretly we are definitely rooting for them too. Yes folks, you will secretly be hoping that they do indeed do the dirty deed. Bottom Line: The talent pool runs deep here, and is the main reason why the film works.
Luckily for us and the cast, they also got to work with great pacing, a fun script, and fresh dark humor that can inject life in this dismal summer season. The underrated talent of Sudekis, Day, and Bateman continue to quietly shine in Hollywood as they are hilarious from the first second to the closing credits. But let's not forget the triple-villain team of Aniston, Spacey, and Ferrell, which infused even more humor and craziness into the comedy.
To sum it up, the film works in its dark manner, as Horrible Bosses never takes itself seriously, but you'll be too deep into laughter to notice the difference. The movie is dark as the movie earned its R rating easily, but if you can handle it you are in for a uproarious ride. Keep an eye on this one, as it is one of the best summer surprises in recent years. With ease. Director Seth Gordon The King of Kong has put together an absolutely fantastic dark comedy, full of hilarious dialog, raunchy humor, and an exceptionally strong cast.
The real treat of the film, much like 's The Hangover, is the in the execution. So many aspects of the film come together in just the right way, with exceptional comedic timing, that you simply can't help but to enjoy the ride. Albeit for different reasons, of course. Bateman's boss, Dave Harken Kevin Spacey , is an egotistical jerk. The film gives the audience plenty of good reasons to hate these bosses, which helps to relate to the friends' idea of murdering them.
What starts out as an off-joke one night between friends blossoms into something more dark and sinister than one would think, with the three friends actually going out of their way to dispose of one another's bosses.
They can't handle their work environment, and the film's script gives very good reasons as to why switching jobs really isn't an option. This is key in relating to and believing in the script. Despite what the trailers may lead you to believe, most of the time within the film really isn't spent establishing the murders. Instead, the jokes are found within the concept, giving the three actors plenty of time to entertain you.
You're not watching three men plot to murder their bosses; you're watching three men ponder the plot of how to murder their bosses. There's a fine distinction here, and the script does a great job of establishing the difference.
More often than not Horrible Bosses comes off as one of those comedies which feels more template than anything else. On balance, Horrible Bosses is a decent employment of one's moviegoing time. Short, well-paced and to the point, with a clear idea of what it wants to achieve. Thanks to an array of well-constructed jokes and comical situations which entertain without overdoing it, it does just that. It's a little too fitting, maybe, that Horrible Bosses goes all vague and mushy and out-of-focus in trying to represent what a happy ending would even look like.
Frequently hilarious, with laughs arriving both hard and often once the film finds its feet, thanks in no part to the sharply written script and enthusiasm evident in the well selected cast. It shows very clearly how far down the rabbit hole Hollywood has fallen.
If it keeps making its heroes this horrible, it's heading for a major crash of its own. Maximizes the juvenile humour and the comedy timing of its three leads, who bounce off of each other well.
My Movies. Horrible Bosses. Confirm current pricing with applicable retailer. All transactions subject to applicable license terms and conditions. Scratch Hendricks, Dale Arbus and Kurt Buckman have been companions for quite a while and they more often than not have party time together.
Scratch is a goal-oriented business that has been laboring for a long time in the same organization and hopes to be elevated to Sales Vice President by his manager Dave Harken. Dale is a dental right hand that hopes to wed his dearest life partner; nonetheless, he is sexually pestered by his manager, Dr. Julia Harris, D. The womanizer Kurt and his supervisor Jack Pellit are incredible companions and he will be appointed to be the administrator of the family business where he works; be that as it may, Jack shows at least a bit of kindness assault and passes on and his cocaine dependent child Bobby accept control of the organization, and he and Kurt abhor one another.
One day, the three companions are drinking brew and letting each know other their issues with their supervisors, when they reason that they can not stop their occupations because of the financial emergency.
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